Adam and Eve painted by Jan van Scorel
evidence written by
Tim Harms
Page 1
Van Scorel was born in the year 1495, and lived to the age of 67. He was a Dutch painter attribute
with the introduction of high Italian Renaissance art to the Netherlands. It is non known whether
he began his studies under Jan Gossaert in Utrecht or with Jacob Cornelisz. It was the get over
painters he would run across later in his life who would put up the greatest effect on his technique. Van
Scorel began traveling by means of Europe in his early twenties, first heading to Nuremberg and then
to Austria. It was there, in 1520 that he completed his first representative ferment the Sippenaltar
in St. Martins church. In the village of Obervellach. Upon exit Venice, Van Scorel passed
through Rome and made a pilgrimage to the hallowed land. His experiences in Jerusalem are depicted
in many another(prenominal) of his later change states. In 1521, Van Scorel returned to Rome where he meet Pope Adrian VI,
who appointed him painter to the Vati tin. Upon his return to the Netherlands in 1524, he settled
in Haarlem where he began a successful race as a painter and a t apieceer. Van Scorel was a
educated man and skilled as an engineer and as an architect, as well as an artist. Van Scorel died
in 1562, leaving behind a wealth of portraits and altarpieces.
Though many of his work fell victim
to the Iconoclasm in1566, some still remain and can be seen primarily at museums in the
Netherlands.
Page 2.
In his depiction of Adam and Eve, Van Scorel like to show as much of the detail as he
could. By feeling at the picture, and noticing the way he did Adam and Eve each hair is so
evident, although most painters would most likely over look the detail in doing the hair on
individual or something in the painting Van Scorel does not. In the painting of Adam and Eve, Van
Scorel spends a lot of time on the background of the painting. The painting of the background...If you want to get a estimable essay, order it on our website: Orderessay
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