Shakespeare?s Sonnet 130 is a parody of the normal sonnet of Shakespeare?s time. Although one gage interpret the verse form as a mockery of the romance in the tralatitious sonnet, it actually is revealing how superficial the usual sonnet is. Shakespeare uses metaphors against themselves in order to create a more realistic explanation of the love that he feels. By using plainly offend comparisons, the author shows the reality of the ideal sonnet?s amply standards, and displays how they perceive mediocre to be negative. This contrast displays how love can be expressed and experienced unconventionally and still arouse the same intensity. This sonnet juxtaposes divine symbols and human traits to satirically aberrant from the standard content and to make bold symbolic statements on unconventional love.
At first, the reader may interpret Shakespeare?s description of his cocotte? physicality and temperament as an tease to his mistress. However, he is not trying to disrespect her save quite to reveal the reality and humanity of his love. The fact that he doesn?t see her as a ?goddess? (37:11) moreover as an play off being who ?treads on the ground? (37:12) is his acknowledgment of his own and his mistress? mortality. When he refers to the ?black wires [which] grow on her head,? (37:4) Shakespeare is making some other authentic comparison.
In the time the sonnet was written, wires were not metal cord; the term represented fine golden weave (Mabillard). The illustration that her hairsbreadth is not golden like a goddesses but black is another representation that she is not divine, but human. The focus is not meant to be on the image of wires, but on the colour he uses. In comparing her hair to wires, he is saying that it is similar to fine thread, and thus this seemingly insulting metaphor is actually saying that...
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