Hip Hop and American Values

87). She notes that masses tend to escort a sense of "cultural let onrage" when paradigm shifts go by in the culture or the economy, and this is due to a tonicity "that things are out of control" ( rise, 2008, p. 104).

Rose counters these arguments by pointing out that in fact, coxa skim reflects both conservative and great(p) values, not just liberal values, and that "violent behavior is, in fact, at the heart of the American value system and has been for or so time" (Rose, 2008, p. 107). She identifies violence as part of the American judgment of masculinity, which is evidenced in violent games such as football game and soccer, hunting, boxing, and other forms of "regulated violence" and notes that violence in the consideration of masculinity is accepted as an American value (Rose, 2008, p. 107). For all accusation against Hip Hop as a untier of America's values, Rose brings up evidence that demonstrates that the very things that Hip Hop is accused of introducing into the American culture are already there. In fact, she goes so far as to say, "Contrary to the vision of informed hop as a dangerous outside influence, it profoundly reflects some of the most celebrated American values on both sides of the political divide" (Rose, 2008, p. 110).

In Chapter 5, Rose (2008, p. 115) discusses accusations that Hip Hop demeans women, acknowledging that the genre is blatantly get impinge onist but that the

groups that complain about the sexism are normally not feminist or antidiscriminatory but rather concern about the portrayal of shameful women as sex objects and how that could fall black communities. Rose argues that Hip Hop's vulgarity and obvious rudeness of women derives from views of masculinity that are already in mainstream American culture.

Moreover, she charges, these critics are still not ploughing the issue of disrespect specifically targeting black women (Rose, 2008, p. 121).

Rose, T. (2008). The Hip Hop Wars. New York: Basic Civitas Books.

Another counter-argument that Rose (2008, p. 122) mounts against the critics of Hip Hop is that "Explicit isn't always exploitative." She argues that removing the filthy sex talk from Hip Hop is not the answer unless it is replaced with pro-sex and knowledgeable agency talk; otherwise, she contends, sex will just be once again depicted as dirty (Rose, 2008, p. 122). Furthermore, she asserts that if we address only the sexism in Hip Hop and not in our society at large, we have solved nothing. She attributes the failure of people to challenge this sexism as the reason that black feminists are macrocosm marginalized (Rose, 2008, p. 128). Solutions such as the Groove Squad-a group of black women that go to clubs and become part of the audience that enjoys it up to the point that it becomes disgustful or derogatory; at that point, the entire group walks off the floor as a means of making a statement th
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