Konstantin Sergeievich (Alekseiv) Stanislavski was born to a family of wealthy industrialists and in 1881 began his service in the family firm, precisely soon his captivation with the theater overcame him. His first dot appearances date back to 1877: he played in dramas, comedies and operettas at the Alekseiv amateur theater built on his family estate, and took plastics (stage movement) and vocal lessons from Moscows silk hat teachers. 1884 marks the public debut of Konstantin Stanislavski--a name he espouse from a Polish Ballerina in hope of safekeeping his theater aspirations hidden from his family. In 1888 Stanislavski, jointly with Komissarzhevski and Sollogub, founded the Moscow partnership of Arts and Literature, while salve being forced to produce in the family business. It was here that Stanislavski initially tested himself as a stage director. After his fathers death in 1893 he was equal to(p) to free himself from the binds of the family business and totally dedicate himself to the theater.
Although Stanislavski died in 1938, his theories of method acting which are explained in his three books An Actor Prepares, construct a Character and Creating a Role are still one of the greatest influences in the world of performance today.
The nearly fundamental principle of Stanislavskis teaching is that the impostor must start the life of the quality that he is portraying, he must cop to think like the character and behave as the character would, therefore the portrayal is not confined to the performance but will, to some degree, begin to overlap into the actors own life. This, he asserts, is the solo way to achieve total realism and, to reinforce this, the actor must also extend this exercise of imagination to overcompensate the costumes that he wears, the articles that comprise the set and the props that are used. If...
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